Announcing the 2nd Location Portraiture & Lighting Masterclass in Varanasi, India

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I am pleased to announce the second Location Portraiture and Lighting Masterclass in Varanasi, India. Well, ok it’s really the second time we’ve run the class, but the first time we’ve used this name. I am teaming up again with Adobe Photoshop Lightroom Guru and Wizard of Light Piet Van den Eynde. We will be releasing full details in the days to come. But let me assure you this will be an amazing class! Piet and I have been working all winter hammering out the details to make this class one that will be both highly educational, exciting, challenging and memorable and I think we have succeeded. We will be covering techniques and skills that are often skipped over on other workshops of this price or length. We will be covering the broad topics of: Continue reading

Layer Your Image for Narrative Depth

Most of the time when photographers talk about layers in a photo, they speaking about postprocessing in Photoshop. In this post, I am talking about visual and narrative depth in an image. To make a photo visually appealing, you need to create a sense of depth both physically as well as narratively.

Given that most cameras do not have stereo vision and so by default shoot a two-dimensional image, creating a sense of depth has always been an issue for photographers. We are always struggling how to translate depth into only two dimensions. So we have to suggest at depth. We do this in a very simple way.

  • Example of lack of depth
    This valley is certainly dramatic and the side of the valley leading up to the edge of the frame does give it some depth. But look at the next image...

Continue reading

A Photographic Growth Spurt

Someone once told me, a photographer, not to take a photo of them but a video instead. This statement was not to be taken literally; it was more of a metaphor for how we look at people and form opinions. The idea is we all change. What she was trying to say was she is not the same person she was ten years back as she is today, don’t view her by her past. Take a video, because we all change. If someone was to form an opinion of who she is, view her for who she is today, not a static image of her from 10 years ago. Continue reading

Postcard from New Zealand

Kawhia Beach with Karioi Maunga behind. The heather looking grass is actually an invasive weed, called pampas grass. Much of New Zealand's native species are being over run by outside species. This is exactly what conservation organizations like A Rocha are at work to combat.

Kawhia Beach with Karioi Maunga behind.

I have been in Raglan, New Zealand for the past two weeks teaching several classes for the On Field Media Project. Our host is a Christian Conservation organization called, A Rocha (read my past post on A Rocha here.). A Rocha New Zealand’s main project is the restoration of the habitat of the many seabirds around a mountain called Karioi Maunga and it’s coastline. It is a fascinating project and one in the days to come I want to tell you more about. Continue reading

What camera should a beginner buy?

Stident on old collage chum George Neal had never picked up a camera till I got him shooting a Fujifilm X-20. Later he ugraded his camera to a X-T1. Here is George on the left with both camera next to Piet Van den Eynde on a recent trip to India.

Student and old college chum, George Neill, had never picked up a camera till I got him shooting a Fujifilm X-20. Later he added an X-T1 to his kit. Here is George on the left with both cameras next to Piet Van den Eynde on a recent trip to India.

One of the more frequent questions I get asked, is “What is the best camera I should buy if I am a beginner?” Honestly, these days there are so many choices, which can make it confusing and overwhelming. But the reality is it doesn’t have to be. I tell newbies to step back, take a breath and answer a quick question or two. Then I give them usually one, possibly two answers. They are almost always happy if they follow my advice. Continue reading

Depth of Field: Damien Lovegrove

Damien_Lovegrove

Damien Lovegrove

Damien Lovegrove is a treasure trove of both photographic and business knowledge. With years of photographic commercial and wedding work under his belt, this knowledge is all field tested by real life. I feel fortunate that he took an hour out of his busy schedule to share some of this insight with us. To say Damien is easy to talk with would be an understatement. He is flowing with wisdom, ideas, encouragement and more.

Damien is considered by many to be one of the world’s most influential contemporary photographers. These days he is best known for creating portraits that make women look amazing. Damien is known for his lighting style picture composition. If you don’t believe me check out his website, Lovegrove Photography and you will soon be convinced.

He is also a fellow Fujifilm X-Photographer and ambassador. He has shot exclusively with Fuji cameras since May 2012.

Damien shoots around 1,000 frames a week. He says if he doesn’t shoot that much in a week he starts to feel like he is going backwards. Yet, I never got the impression in this conversation that he is driven to the point where he runs over everyone in his way. Generous with his knowledge and experience, he speaks with me about creating what he calls that “big picture equation” that helps a photographer stay afloat financially. We also spoke about developing a style that is uniquely yours and how critical this is to your work. We cover how to take a dream and turn it into a reality and so much, much more.

Check out Damien’s work at:

Facebook: facebook.com/damien.lovegrove.1
Twitter: @damienlovegrove
Instagram: @damienlovegrove
Blog: ProPhotoNut.com
Personal Website: Lovegrove Photography

Podcast: A look at the Fujifilm X-Pro2 and more…

Piet, (foreground) and Rene with the camera and the SMDV Speedbox Professional 70cm and a Cactus RF60 in the alleyway of Varanasi, India.

Piet, (foreground) and Rene (camera to his face) and the SMDV Speedbox Professional 70cm and a Cactus RF60 in the alleyway of Varanasi, India.

Every year after our workshop in India, Piet Van den Eynde and I spend an hour or so talking about this years new Fujifilm gear. Because we do it in the field it sometimes becomes difficult to find a good location to record these discussions. It is India after all, things are noisy. One year we even made a tent out of blankets and recorded the show under it. Not to worry, this years was a breeze. Piet and I only had to deal with noisy bellhops and stray dogs,  all of this served as a background to an amazing hour of looking at the latest gear from Fujifilm.  For this episode we invited camera geek and photographer Rene Debar, host of the Fuji Xtras blog to help us with our yearly overview and to discuss the new Fujifilm X-Pro2. Continue reading

Kacchpuri: Home of the Dhobi

f/11, 1/180 sec, at 14mm, 200 ISO, on a X-T1

Scrubbing clothes on the bank of the Yamuna.

In India, just down the Yamuna river from the Taj Mahal is a small village called Kacchpuri. A village filled with the poorest of the poor trying to squeeze out a daily living in a myriad of ways. Many of the villagers sell used saris. They go around the area buying old worn-out ones. They mend them, wash them and  sell them to people who can’t afford new ones. The whole village seems to be involved in the process. We visited the Dhobi Ghaat where dhobies wash the used saris. A dhobi (male) or dhobin (female) takes the old saris and boils them, scrubs them and then rinses them in, of all places, the Yamuna river.

Scrubbing old saris clean.

Scrubbing old saris clean.

 

A child draws in the sand of the Yamuna as the dhobis work rinsing the old saris in the background.

A child draws in the sand of the Yamuna as the dhobies rinse the old saris in the background.

 

A camel in the background hauls off sand for concrete, while dhobies wash in the foreground.

A camel in the background hauls off sand for concrete, while dhobies wash in the foreground.

f/9, 1/180 sec, at 14mm, 200 ISO, on a X-T1

Of course, as the villagers live on the river, the children play in and around the river as well. From flying kites to drawing in the sand, the Yamuna is home to these people.

Children play on the banks of the Yamuna flying kites.

Children play on the banks of the Yamuna flying kites.

 

f/10, 1/180 sec, at 14mm, 200 ISO, on a X-T1

Kite flying can be a competition. Where glass string is used to cut the other team’s kite string.

Another part of the village makes bullwhips. They string scraps of leather together to make a whip and then sell them wholesale to a middleman who sell them to shopkeepers who in turn sell them to tourists.

 

Weaving bullwhips to sell to tourists.

Weaving bullwhips to sell to tourists.

 

cleaning fenugreek for the meal later.

Cleaning fenugreek for the meal later.

 

Like so many places in India, these people are poor, they have almost nothing, yet when you look at their faces you see smiles and joy. I am reminded of a quote from one of my favorite preachers, “It is not how much we have, but how much we enjoy, that makes happiness.” – Charles Spurgeon