MindShift Gear Giveaway!

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No Purchase Necessary and Void Where Prohibited.

 

I am excited to announce that camera bag maker MindShift Gear and I will be giving away a Mindshift Gear’s Rotation 180º camera backpack to one lucky soul. This is a fantastic backpack! I own one of these myself and I can tell you it is build like a tank but is light as a feather. Last year I did a video review on this bag and it did real well. Read that review HERE. Why are we giving this bag away you might ask? Well, we are just like that, kind, generous and giving people… that and the fact that we are using this giveaway to promote our latest workshop offering, the Kashmir Valley Photo Trek and Workshop. This bag and workshop go together like Oreos and Milk or Astaire  and Rogers. Because for three nights we will be trekking and camping in the Indian Himalaya among the nomadic shepherds and this bag was made for something like this.

Here is how it works. All you need to do is visit this LINK or click on the image above to go to the entry page. Here you simply enter your name and email address. You will be asked to verify your email and once you do then your name is entered in the lucky drawing. As they say on TV, “But wait, there’s more!” Once entered you are give a unique link to share. Every time someone enters the giveaway using your link you get an extra 5 entries! How cool is that? So the more you share the more people enter the higher your chances become. So enter now and start sharing. Oh, and come and join us on our Kashmir workshop, it is going to be amazing!

 

Product Features

 

 

 

First Look: Fujinon XF 16-55 mm f/2.8 R LM WR

The not yet release Fujinon XF 16-55 mm f/2.8 R LM WR

The not yet release Fujinon XF 16-55 mm f/2.8 R LM WR

A few weeks back I sat with two of the marketing managers for Fujifilm in our local Starbucks. One was from Malaysia and the other was the regional marketing manager from Japan. As we spoke and drank our coffee we talked about all the good things happening with Fujifilm within Malaysia and globally. As we were getting ready to leave one of these men asked, almost in passing, if I would like to shoot the new 16-55 mm. I was stunned. This is the hottest new lens from Fujifilm. As far as I knew no one had even seen it yet, let  alone used it. After picking up my jaw from the floor I said, “Heck yeah!”. “Ok, we will get it to you Friday, just in time for your assignment.” (I was currently shooting for a Hong Kong based magazine on the markets of Penang).

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Fujinon 50-140mm f2.8 LM OIS WR: Review

Fujinon 50-140mm f2.8 LM OIS WR

Fujinon 50-140mm f2.8 LM OIS WR

 

For more than 3 years Fujifilm has been producing stunningly sharp lenses for their X-series camera. The 35 mm f/1.4 was one of their first lens and it was so sharp I was sure it was a software trick inside the camera.  Then came the other lens with the 56 mm f/1.2 being the go-to for portrait photographers. But there was still an obvious gap in their lens line up. Sharp or not, there was not a 70-200 mm f/2.8 equivalent lens, that is until now. That hole is now filled with the Fujinon 50-140mm f2.8 and it is amazing. Continue reading

2014 Gift Guide the Discerning Photographer

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Every year I try to create a Christmas Gift List that I think my readers might enjoy. It started out as a list of things I had that I thought others should have as well. But it has since morphed into both a list of things I can vouch for and things I am putting on my own wish list. I wanted to get this out before the notorious “Black Friday”. For those of you that are not American, this is the day after the U.S. Thanksgiving holiday and it has proven to be the biggest shopping day of the entire year.  I think I gave you a real variety – but no fedoras or pipes this year. Sorry. I did manage to add a bow tie , though . They are in general price categories from the most costly to the least. This way if you have a budget you know where to look at a glance. So without further to-do here is my list.

 

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How I modified my X-T1 with Sugru

 

The Sugru rubber make the 4-way selector buttons finally usable.

The Sugru rubber make the 4-way selector buttons finally usable.

This is going to be a short and to-the-point post. I have been using the Fujifilm X-T1 now for a few months and have come to appreciate this camera. I know this sounds nothing like other peoples reviews of this camera. Everyone seems to love this camera but me. For me it has been a love/hate journey. I have never been thrilled with this camera’s form. I liked the rangefinder look of the other X-series cameras. So from the very start, I was disappointed. Continue reading

A few thoughts of the Fujifilm FX56 mm F/1.2 R

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Fujifilm FX56 mm F/1.2 R

 

This is part two of my thoughts on two lenses that Fujifilm Malaysia lent me this past week. In the last review I looked at the XF10-24mm f/4 R OIS. Today I am giving you my thoughts on the FX56 mm F/1.2 R.

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A few thoughts of the Fujifilm XF10-24mm f/4 R OIS

Fujifilm XF10-24mm f/4 R OIS

Fujifilm XF10-24mm f/4 R OIS

 

Last week my friends at Fujifilm Malaysia loaned me two of their latest and greatest lenses to play with and asked me if I would share my thoughts. I have been waiting for these two new lenses probably more than any of the other lenses in their entire lineup. The two lenses are the XF10-24mm f/4 R OIS and the XF56mm f/1.2 R. On a cropped sensor, such as the two cameras I am shooting with – the Fujifilm X-E2 and the X-T1 – they represent a full frame focal length equivalent of 15-36 mm and 85 mm respectively. I recently bought the X-T1, but I do not plan to review the X-T1 as it may be one of the most reviewed cameras on the planet, to date. It definitely is the most reviewed Fujifilm camera till now. Continue reading

The Popup Flash: A Pro Tool?

f/7.1, 1/8 sec, at 14mm, 1000 ISO, on a X-E2

f/7.1, 1/8 sec, at 14mm, 1000 ISO, on a X-E2 rear curtain sync

I came close to titling this post as “Pro Sho – Who says?” I have read so many Facebook posts, blog posts and Twitter tweets about what a “pro-camera” should have on it that I am ready to scream. At this point I could get all esoteric and say, any camera you make money with is a pro-camera. This is true, but that is not really what we are talking about. I think I want to be a little less obtuse and more to the point. When I say “pro” I am talking with the same mind set you might have when you go into a hardware store as ask for pro tools. These are tools that can be abused and often have more “horse power” or specialized features. The same goes with cameras. In my view a pro-camera needs to have very little for this classification. Just as the pro-drill needs to be able to take hours of constant use and abuse so must a pro-camera. It would need to be able to survive a high shutter count and would need some sort of metal alloy body construction to help it buffet physical abuse. That’s about all I would say that it would have to have. After that everything else is just rhetoric or personal opinion. Continue reading