Hipstamatic’s New TinType App Rocks

Ladakh boy

Ladakh boy – photographed by Mike Alexander on the Ladakh 2014 Workshop.


Screenshot 2014-10-23 14.38.41 Screenshot 2014-10-23 15.20.06


I have been a huge fan of tin type photography since, well… forever. In fact my very first Depth of Field wasn’t a podcast it was a written post on Robb Kendrick and his use of tin type in the 21 century on assignment with the National Geographic Magazine. So it is no wonder that when I got an email today from Hipstamatic informing me they have a new app called TinType that takes your iPhone photos and does it’s digital magic on them and make them the closest thing to a real tin type you can find digitally. The App is ¢.99 in the US App Store and if you like this kind of effect, it is well worth it. Continue reading

Video Blog #10 Photo Interview with Fernando Gros and more…



Yes, it is true, this is a video blog post. I know you thought it was dead and gone. Well it was only sick. ;-)  I have tried breathed into it new life. Well, I least I hopes to.

This Sunday I am off to Ladakh, India for a two week workshop. After Ladakh the group heads to Srinagar, Kashmir. Then in February, 2015 I head back to Rajasthan. The question begs answering are photo workshop worth it? Are they worth the time and the financial investment? So this issue we will look at the benefits of photo workshops. To do this I have an interview with Fernando Gros from FernandoGros.com. Continue reading

A few thoughts of the Fujifilm FX56 mm F/1.2 R


Fujifilm FX56 mm F/1.2 R


This is part two of my thoughts on two lenses that Fujifilm Malaysia lent me this past week. In the last review I looked at the XF10-24mm f/4 R OIS. Today I am giving you my thoughts on the FX56 mm F/1.2 R.

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A few thoughts of the Fujifilm XF10-24mm f/4 R OIS

Fujifilm XF10-24mm f/4 R OIS

Fujifilm XF10-24mm f/4 R OIS


Last week my friends at Fujifilm Malaysia loaned me two of their latest and greatest lenses to play with and asked me if I would share my thoughts. I have been waiting for these two new lenses probably more than any of the other lenses in their entire lineup. The two lenses are the XF10-24mm f/4 R OIS and the XF56mm f/1.2 R. On a cropped sensor, such as the two cameras I am shooting with – the Fujifilm X-E2 and the X-T1 – they represent a full frame focal length equivalent of 15-36 mm and 85 mm respectively. I recently bought the X-T1, but I do not plan to review the X-T1 as it may be one of the most reviewed cameras on the planet, to date. It definitely is the most reviewed Fujifilm camera till now. Continue reading

Review: Fujifilm Instax Share SP-1 Smartphoto Printer

fujifilm -instax

Probably one of the biggest surprises of this Fujifilm Rajasthan Photo Trek was my last minute purchase of the Fujifilm Instax Share SP-1 Smartphone Printer. This printer opened so many doors with people to photograph that it should be considered a must have for any photographer traveling to new places.

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Review: iBattz Mojo Refuel Battery Case (iPhone 5)

iBattz Mojo Refuel Battery Case

iBattz Mojo Refuel Battery Case

One of the great things about using an iPhone (or any smartphone, for that matter) is that you can do so much on the phone from email, photography, graphic rich games, navigation using your GPS and so much more. The problem is that all of these tasks create a huge drain on your battery. By the way, while Apple doesn’t publish their battery specifications, doing a quick Google search reveals that the iPhone 5 has a 1440 mAh battery, iPhone 5S a 1570 mAh battery, and the 5c 1507 mAh battery. These are not huge. Comparatively, the Galaxy S4 features a 2600 mAh battery. To combat this lack of power, many companies are offering power banks and cases. Continue reading

Pushing the X-E2 to it’s limits and finding them.

f/1.4, 1/50 sec, at 23mm, 800 ISO, on a X-E2

One of the few quiet moments my camera could handle this morning.
f/1.4, 1/50 sec, at 23mm, 800 ISO, on a X-E2


Day two of Thaipusam. I was up at 4 am to catch the action on Waterfall Road. Waterfall Road is one of the busiest spots during this festival. Long lines of people making their way to the temple to deposit their kavadis of milk. I brought the Fujifilm X-E2 thinking it would do well with the constant movement of people I would encounter. After all, it certainly did well in the Philippines last month. The difference is that when I used the X-E2’s AF-C (Auto Focus Continuous) in the Philippines it was in daylight. This time it was in the wee hours of the morning with very little light and it failed..badly. Almost every frame was out of focus. I didn’t just shoot in AF-C I also shot in AS-S (single) and tried to capture scenes on the move. Continue reading

Fujifilm X-E2: A Real World Review In The Philippines



Just days before leaving for Christmas in the Philippines with my in-laws I traded my Canon EOS 5D Mark III for a Fujifilm X-E2, a Fujinon 23 mm f/1.4 and the Fujinon 55-200 f/ 3.5 – 4. If you recall from a previous post I had a few fears about selling my full frame gear and jumping headlong into the X-System cameras. I had heard so much about the X-E2 and how fast the AF was that I decided to risk one 5d MKIII body. I have not been disappointed. In fact, the the contrary, I have been amazed. Continue reading

Fujifilm X – Switch or not To Switch

Shooting the X-Pro1 on Safari in Kenya. Anything is possible. Photo by Jon McCormack

Shooting the X-Pro1 on Safari in Kenya. Anything is possible. Photo by Jon McCormack

I‘ve had many emails and Facebook messages lately asking me if I have switched completely over to the Fujifilm X-series cameras. The Fujifilm X-series for those of you who have been living under a rock or are just not into camera gear, is the mirrorless, small somewhat compact camera system that has a retro rangefinder feel and look about it. They are an amazing group of cameras and are chock full of innovative technology to enhance both the user experience and the final image. The flagship camera for this new system is the X-Pro1 followed closely by the X-E1. Both cameras sport an APS–C size sensor thus giving an image quality of a DSLR. Continue reading