Views of Kenya with the Fujinon XF 16mm f/1.4 WR

Fujinon XF 16mm f/1.4 WR Well balanced, but it couldn't be called a small lens.

Fujinon XF 16mm f/1.4 WR Well balanced, but it couldn’t be called a small lens.

 

Fujinon XF 16mm f/1.4 WR with it's tulip lens hood attached.

Fujinon XF 16mm f/1.4 WR with it’s tulip lens hood attached.

So just before I left for Kenya, I got a WhatsApp message from my contact at Fujifilm Malaysia telling me they had the yet-to-be-released Fujifilm XF 16mm f/1.4 R WR. I have been waiting for this lens since it showed up on the Fujifilm Lens Road Map. A 16mm f/ 1.4? That’s a lot of light!  But the real question was going to be, would I feel it was wide enough? Let’s face it, a 16mm lens on the X-system is effectively a 24mm in 35mm-speak and I generally like shooting wide. I like fast even better. This lens has not disappointed me.

f/1.4, 1/2000 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/2000 sec, at 16mm, 400 ISO, on a X-T1

 

f/1.4, 1/1250 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/1250 sec, at 16mm, 400 ISO, on a X-T1


I really wanted to write this review before leaving and post it the day the lens was officially announced, but unfortunately I got the lens only the day before I left for Kenya and I have been working on an OFMP training everyday since I arrived. I was able to carve out a few moments here and there to put this little guy through some of it’s paces.

 

f/4, 1/10 sec, at 16mm, 400 ISO, on a X-T1

f/4, 1/10 sec, at 16mm, 400 ISO, on a X-T1


Speaking of little, this actually isn’t all that small. It dwarfs the Fuji 14mm f/2.8. It’s bigger than the 23mm f/1.4 and the real shocker is, it is even slightly bigger than the 56mm f/1.2! I am not sure I understand why it needs to be this size. I understand the weight. It weighs right in between the 23mm and the 56mm at 375 g (0.83 lb), about where I expected. After all, it’s loaded with glass. But I don’t understand the size. It’s slightly bigger than the 56mm that is 3.5 times longer in focal length. But what this lens looses in size, it makes up in sharpness. Like many of the other Fujinon lenses, the 16mm is razor sharp. You need to be careful because you’ll cut yourself, its so sharp. It’s sharp at f/16 all the way to f/1.4. I was thoroughly surprised to see this lens was not only sharp in the center at f/1.4, it was also sharp from edge to edge.

 

f/10, 1/160 sec, at 16mm, 400 ISO, on a X-T1

f/10, 1/160 sec, at 16mm, 400 ISO, on a X-T1

 

I have yet to discover any chromatic aberrations at any f-stop. It’s here where I am suppose to tell you about the 13 lens elements in 11 groups, including 2 aspherical lens elements and the 2 ED glass lens elements to reduce lateral and axial chromatic aberration, but honestly I have no idea what that means, so as Clark Gable once said, “Frankly my dear, I don’t give a damn!”. All I know is it is crazy sharp!

 

f/10, 1/40 sec, at 16mm, 400 ISO, on a X-T1

f/10, 1/40 sec, at 16mm, 400 ISO, on a X-T1

 

I do know nice-looking bokeh when I see it, and this lens has it. Apparently it has to do with the 9 aperture blades. Again, I am less concerned with why it happens and more concern with “does it look nice?”, and it does.

The lens is weather sealed and becomes a great addition to the the weather sealed X-T1. Twice on this trip I was shooting in the rain and the camera got completely drenched. Not a problem.

 

f/1.4, 1/400 sec, at 16mm, 200 ISO, on a X-T1

f/1.4, 1/400 sec, at 16mm, 200 ISO, on a X-T1

 

f/1.4, 1/550 sec, at 16mm, 200 ISO, on a X-T1

f/1.4, 1/550 sec, at 16mm, 200 ISO, on a X-T1

 

I have read somewhere that this lens was slightly slow focusing using phase detection. Maybe, but I never experienced it. Every time I used it, it seemed to snap to focus as quick as the best Fuji lens.

I want to be fair here; I have not put this lens through a tough regiment of shooting. I just received this lens as I was leaving for an OFMP training at The Kilgoris Project in Kenya and only had a limited amount of time with it. What I can say is I am not disappointed with it. Unlike the 16-55mm, a lens that I felt was a well crafted lens but will never find it’s way into my bag, there is a chance this lens will not come off my camera! It is just wide enough to provide context in photos without creating undo distortion on the edges. It is fast, so it will be useful in low light situations, it is sharp and focuses quickly and accurately. What more can a photographer want? My guess is once I get this lens, my 23mm f/1.4 and my 14mm f/2.8 will stay in my bag a lot more.

 

f/1.4, 1/320 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/320 sec, at 16mm, 400 ISO, on a X-T1

 

Did you know that this is the 4th lens in Fujifilms lens lineup at the 16mm focal length? They have the 10-24mm f/4, the 16-55mm f/2.8 and the XC 16-50mm f/3.5-5.6. None of these are primes and all of them slower, with the fastest being the 16-55mm at f/2.8. It might surprise some of you that I never bought the 10-24mm f/4. As sharp as that lens is, and it is really sharp, I found it too slow at f/4. Yes, I know it has image stabilization (OIS) but that just stabilizes the lens not the subject. When I did use the 10-24mm, it was almost always on at the wider end between the 10 to 16mm focal length. So the new 16mm lens gives me speed at f/1.4 and a nice wide focal length. Do I wish this was a wider lens? Sure. But at the moment, there is no wider lens at this speed on the Fuji Road Map. But I can live with that. This lens hits the sweet spot for me.

 

f/1.4, 1/1250 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/1250 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/60 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/60 sec, at 16mm, 400 ISO, on a X-T1

 

The 16mm seems to have plenty of contrast and shooting at f/1.4 it gives your subject a nice separation from it’s background. It focuses close, as you can see from the tea flower and the daisy image below. I think I was as close as 6 inch or more. The bokeh get more impressive the closer you get to your subject.

 

f/1.4, 1/1800 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/1800 sec, at 16mm, 400 ISO, on a X-T1

 

f/1.4, 1/1250 sec, at 16mm, 200 ISO, on a X-T1

f/1.4, 1/1250 sec, at 16mm, 200 ISO, on a X-T1

f/3.2, 1/90 sec, at 16mm, 400 ISO, on a X-T1

f/3.2, 1/90 sec, at 16mm, 400 ISO, on a X-T1

 

The lens is suppose to be selling on Amazon for $999… er $1,000. So in the end, it comes down to would I shell out $1,000 for a 16mm f/1.4 lens? The answer is a resounding, “Heck yeah!”

 

f/5, 1/1100 sec, at 16mm, 400 ISO, on a X-T1

f/5, 1/1100 sec, at 16mm, 400 ISO, on a X-T1

 

f/1.4, 1/1250 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/1250 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/1000 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/1000 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/2500 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/2500 sec, at 16mm, 400 ISO, on a X-T1

 

f/1.4, 1/2000 sec, at 16mm, 400 ISO, on a X-T1

f/1.4, 1/2000 sec, at 16mm, 400 ISO, on a X-T1

 

f/16, 1/110 sec, at 16mm, 200 ISO, on a X-T1

f/16, 1/110 sec, at 16mm, 200 ISO, on a X-T1

Indian Summers: Another Look

 

Alice Whelan played by Jemima West walks through the Simla bazaar. (Note the camera in the lower right and the crew giving direction to an extra in the lower right)

 

This past Sunday Indian Summers premiered. It was everything I had hoped. If you want to watch it, it will be available for 30 days from this post date HERE. You might need a little extra help to get it to play in your region. 😉  But then I am biased. I had such an overwhelming response to my photos of the main characters of this new UK Channel 4 drama, that I wanted to do a follow up with other photos. Today I am posting images of a few more actors that don’t have what some might say a main role. Yet, they still play a key place in the upcoming story line. You’ll also find some wider shots of the setting to give you a feel for Simla, India in 1932. I can’t say anything about what is going to unfold. But I can say that there is passion, suspense, intrigue and of course drama. I am posting photos but I’m not giving you any background to the scenes so you will have to use your imagination or better yet, you’ll have to watch the show to find out how these scenes relate.

 

Henry Lloyd-Hughes as Ralph Whelan

 

Alice Whelan played by Jemima West

Alice Whelan played by Jemima West

 

 

f/1.2, 1/70 sec, at 56mm, 400 ISO, on a X-T1

Alyy Khan plays Ramu Sood

 

 

f/1.2, 1/950 sec, at 56mm, 250 ISO, on a X-T1

‘Indi’ Nadarajah as Kaiser

 

f/5.6, 1/180 sec, at 12.6mm, 320 ISO, on a X-E2

Patrick Malahide as Lord Willingdon, Viceroy of India Stands in front of his Roll Royce Phantom.

 

 

f/1.2, 1/250 sec, at 56mm, 250 ISO, on a X-T1

Ayesha Dharker as Nalini Ayer

 

 

Guy Williams as Rowntree

 

Ashna Rabheru as Shamshad Dalal

 

Fiona Glascott and Craig Parkinson watch the skills of “tent pegging”.

 

Coolies shift the Raj from New Delhi to Simla when the summer heat arrives.

 

Fiona Glascott as Sarah Raworth at Ivy Cottage.

 

Tea at Ivy Cottage with Jemima West, Julian Fenby, Craig Parkinson and Fiona Glascott.

 

 

Hasina Haque as Jaya

 

Amber Rose Revah and Craig Parkinson hold Adam.

 

Henry Lloyd-Hughes as Ralph Whelan

 

Nikesh Patel as Aafrin Dala and Rick Warden as Ronnie Keane share a moment.

 

Lillete Dubey as Roshana Dalal and Roshan Seth as Darius Dalal

 

 

Aysha Kala as Sooni Dalal soothes he on screen father Darius Dalal played by Roshan Seth.

 

f/2.5, 1/210 sec, at 56mm, 200 ISO, on a X-T1

The dinner party. L to R Rick Warden (with his back to the camera, Jemima West, Olivia Grant, Henry Lloyd-Hughes and sitting Edward Hogg.

 

Rick Warden as Ronnie Keane

 

 

 

Indian Summers to Premier Feb 15th in UK.

Penang, 2014

Georgetown, Penang, 2014

 

My adopted home, Georgetown, Penang became the unlikely setting for the new UK Channel 4 series, Indian Summers. The series is set in Colonial India in 1932 in the summer capital of Simla. Yes, during these days the British Raj had two capitals: New Delhi during the winter months and Simla, a hill station set in the foothills of the India Himalaya in the hot Indian Summers. Thus the name. Continue reading

Review: Zhongyi Lens Turbo Adapters ver II for Fuji X mount cameras (FX)

Zhongyi Lens Turbo for the Canon EF – Fuji X-Mount

Zhongyi Lens Turbo for the Canon EF – Fuji X-Mount

 

I recently was sent a Canon EF – Fuji X Lens Turbo Adapter from a Hong Kong Based company called Zhongyi Optics. A Lens Turbo is a cool little adapter that fits between your lens and your camera body. It is suppose to both increase the speed of your lens a full stop and adjust the crop factor to full frame. This version was made specifically for fitting Canon EF lenses on to a Fujifilm X-Mount. This sounded too good to be true. In short, it was… sort of.  Not that it wasn’t fun and in fact with a few caveats I’d even say it’s worth the $150 they sell it for. Continue reading

Fujinon 50-140mm f2.8 LM OIS WR: Review

Fujinon 50-140mm f2.8 LM OIS WR

Fujinon 50-140mm f2.8 LM OIS WR

 

For more than 3 years Fujifilm has been producing stunningly sharp lenses for their X-series camera. The 35 mm f/1.4 was one of their first lens and it was so sharp I was sure it was a software trick inside the camera.  Then came the other lens with the 56 mm f/1.2 being the go-to for portrait photographers. But there was still an obvious gap in their lens line up. Sharp or not, there was not a 70-200 mm f/2.8 equivalent lens, that is until now. That hole is now filled with the Fujinon 50-140mm f2.8 and it is amazing. Continue reading

Ladakh Photo Trek Part 2

 

 

f/3.2, 1/125 sec, at 23mm, 200 ISO, on a X-E2

A early morning view of Leh, Ladakh from the Khardung La road. The peak sticking up is Stok Kangri 6,153 m (20,182 ft) (click for a larger view).

 

On arriving into Ladakh, India our photo workshop participants needed most of the first day to acclimatize to the altitude. Leh, the main city of Ladakh, is at 3,524 meters (11,562 ft) and at that height most of us lowlanders’ heads spin if you stand up to quickly. Heck, just walking up a single flight of stairs will take your breath away. Another thing this kind of altitude does is to give you wild and vivid dreams. Trust me, it’s not the dal & rice you had for dinner, it’s the altitude.  But acclimatizing didn’t mean doing nothing. Late in the day we drove to the Shanti Stupa and photographed the Leh Palace and the Namgyal Tsemo Gompa or monastery. You saw a couple of these shots in the last post. Below is one more. The light was just right for some stunning images. Continue reading

2014 Ladakh Photo Trek…WOW!

 

Namgyal Tsemo Monastery, Leh, Ladakh

Namgyal Tsemo Monastery, Leh, Ladakh

 

Piet Van den Eynde, Alou and I just concluded what might have been the hardest workshop I have ever ran. Not because we didn’t have fantastic participants. On the contrary, we had great participants, many of whom were repeat clients. Not because they were not all really talented photographers – they all were – even though that is not a requirement to participate in one of our trips. It was because so many things just happened. Like God looked down and said, “I think I’ll give you a little run for your money, Matt. You need some new stories to tell!” Continue reading

How I modified my X-T1 with Sugru

 

The Sugru rubber make the 4-way selector buttons finally usable.

The Sugru rubber make the 4-way selector buttons finally usable.

This is going to be a short and to-the-point post. I have been using the Fujifilm X-T1 now for a few months and have come to appreciate this camera. I know this sounds nothing like other peoples reviews of this camera. Everyone seems to love this camera but me. For me it has been a love/hate journey. I have never been thrilled with this camera’s form. I liked the rangefinder look of the other X-series cameras. So from the very start, I was disappointed. Continue reading