ADHD and How I cope with it.

I was diagnosed with dyslexia back somewhere close to 1974. In those days many phycologists and other said the same thing about dyslexia that people are saying today about ADHD, “It’s just an “American disease” or “only problem with that kid is the way he was raised.” Now, of course, we know this isn’t the case at all. We have fMRIs that show there is something different going on in the brain of someone with either dyslexia or ADD.

Photographers who are ADD, ADHD or dyslexics are faced with unique challenges that other creatives and business people don’t face. In this video, I look at ways to cope with these differences.

If you are ADD or dyslexia, I would love to hear how you have learned to cope and excel in a world that isn’t attuned to they way you function.

I mention that I would link my packing Pro list so folks can download it. You will find it linked below. I hope it helps. Just use it as a starting point and tailor it to your need.


I am not sure I will have a video next week as I am leading a workshop inIndia with my good friend and workshop partner Piet Van den Eynde. But check back soon for a report of the week’s events.

Matt Brandon Vlog 12: Fujifilm GFX Review and more.

Currently, I am in Laos, once again. If you recall, I was in Laos back in late November shooting my first ever video for a client. I shot the whole video on the X-T2. I was amazed at the quality. The learning curve to use the X-T2 for shooting basic video was surprisingly short. Not that I know everything, not at all. It just seems more intuitive than when I had my Canon 5D MKIII. But, this post is not about the X-T2. It is, however about the video posted above, the Fujifilm GFX medium format camera first look.

Piet Van den Eynde had a chance to use the Fuji GFX in the field in India. In this video, I speak with Piet about his thoughts and impressions of this new ground breaking camera.

I am not going to reiterate all the information in the video. You can watch it. I will, however, give you the links to the products and the video we shot.

You can visit Piet’s blog to see the GFX’s specs on paper, so to speak. Even more exciting he shows you the actual images this beast can make: Visit his blog HERE.

GFX Challenges Video

Product Links:

GFX Medium Format Camera

GF110mmF2 R LM WR

GF63mmF2.8 R WR

GF32-64mmF4 R LM WR

f-Stop Loka UL

SMDV SpeedBox Review

SMDV BRiHT-360 Compact Monolight

WD My Passport Pro 3TB
WD My Passport Pro 2TB

Lastolite Non-Rotating Extending Handle

3 Legged Thing Albert Tripod

Sirui P-324S Carbon Photo/Video Monopod

Want to hear about upcoming workshops even before they are announced on the blog? Then, remember to sign up for my newsletter if you want to be notified first. 

The Coal Haulers of Varanasi, India & the Fuji GFX

The face of a coal hauler from Bihar, India. (Click to view larger)

(Note: All these photos are taken with the Fujifilm X-T2, NOT the GFX.)

Late last month, Piet Van Den Eynde asked if I could help him produce a video. Piet was one of 20 photographers in the world who was invited to use the new, as yet unreleased, Fujifilm GFX medium format camera in their workflow. Piet, Serge Van Cauwenbergh, Alou and I snuck off to India to film him using this amazing camera in the wilds of India. As you will see, Piet certainly put the GFX through its paces, using it in places and on occasions where you would never think of bringing a medium format camera. It was all hush, hush till today. As you can see, Fujifilm has released our video to the world, so now we can talk about it. In fact, we will be doing a lot of talking about it in the weeks to come.

We needed some very special images for this video, and I believe we got them. One of the most interesting places we visited was this train yard. Piet made some amazing images, which you will see in the video and later on his blog. Our time there was very short, yet the scene we uncovered really deserved more than just a few images for the video. So I moved quickly to capture these images. I hope you can get a feel of the intensity of the work these men do on a daily basis.

Varanasi, like most cities in India, runs on both electricity and coal. The coal arrives from the mines by freight trains. Car after car of coal arrives in a half mile long train filled with raw coal. Each car needs to be unloaded and then loaded back into lorries for delivery. The problem is this process of transferring a ton or more of coal from a train car to a lorry is all done by hand, literally. Five to six men are assigned to each train car. It takes an average of 8 to 10 hours for the men to remove all the coal from the car. It is dumped next to the car ready to be reloaded into the lorry the next day by the same men. Then the whole process starts over again. The men wear flip flops or even go barefooted throughout the day. The coal dust is everywhere, including their lungs. Each man makes an average of 300 Rupees or $5 USD a day. I asked them if any of them get sick or have a cough. None of them seemed to want to answer me. I think they were suspicious. Frankly, they need the work. Most of them were from the next state over, Bihar. All their earnings go home to their family. A family that they may never get to see again.

After visiting these men and photographing them, we felt that our workshops need to me more than about taking amazing photos. We need to get involved with the places we photograph. As such, Piet and I are researching organizations that we might donate a percentage of our profit. We are in search of organizations that help people like these men and others we photograph to rise above their circumstances to a better life. If you know of an organization like this let us know.

Note: If you want to join Piet and me on our next workshop to Varanasi, India in late 2017, be sure to sign up for our newsletter to be notified when the registration goes live. We announce open registration first to our newsletter subscribers. This is one of the perks of subscribing to the newsletter. Then only after 24 hours will we make registration public. The last workshop sold out in 1 hour.  When you subscribe, be sure to check your email for confirmation.

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A laborer has to break up the larger pieces of coal so they can be loaded by hand into the lorries.

 

 

 

 

After unloading the coal from the train, they workers have to clear it from under the car it arrived in. No coal can be wasted.

 

Roll after roll of lorries wait to be loaded up with coal for delivery into the city.

 

This and the photo below are of drivers waiting for the coal to be loaded into their lorries.

 

 

 

Facing Your Flash Phobia

off-camera flash, Jinbie HB600, Expose for the background

Here is Nayoung being a temporary model so I can adjust the background exposure and the power of the flash.

If you have spent any amount of time on my blog, you know that I have a phobia about off-camera lighting. I love to use on-camera flash and play with dragging the shutter. But off-camera – that’s the kind of stuff that makes my palms sweat and my body break out in hives. I am not sure why it is so befuddling for me. Maybe it has to do with my many learning disabilities or the fact that I waited way too long to learn this trick and now I am an old dog. Whatever the reason, it has been a journey of two steps forward, one step back.

background exposure, test shot, Jinbie HD 600

This is photo is pretty much right out of the camera. This was pretty close to what I wanted for my background exposure.

My off-camera flash mentor is Piet Van den Eynde, my Miyagi of light. You may recall, Piet sold me his Jinbei HD600 strobe. It is a 600-watt monster that competes with the big boys like ProFoto’s B1, only at about a third or less of the cost. It is the Jinbei that I have been using to confront my fears. Why the Jinbei and not a speed light? Well, for one thing, it is entirely manual and believe it or not, shooting manually with a flash is proving easier for me and is giving me a great foundation. Once you learn the fundamentals, only then can one move on. Wax on, wax off. Another reason I chose the Jinbei is because it is so powerful; it can overpower the sun and allow me to use this flash anytime and anywhere.

Whenshooting in manual it really is just a mater of taking a shot and making the adjustments. Here the flash needed more power.

When shooting in manual it is just a matter of making an exposure then adjusting it. In this exposure, the flash needed a lot more power.

For the past few weeks, I have been getting to know a couple of new photographers in my town, Simon Bond, and Pete DeMarco (another Pete). Simon and Pete are both relatively new to the area; they arrived here while I was away in the U.S. over the past year. These guys shoot a very different style than I shoot.. They are more into creative techniques and photo magic such as  light painting.

Simon and Pete invited me to try out light painting.  Simon has a new toy he is still learning to use. They wanted to introduce me to light stick called a Pixelstick.  They suggested we go to the very southern tip of the island to a place called Vanilla Bay and shoot against the sunset. The only real issue is there has not been a significant sunset for many days. It has rained every day here since arriving back to Malaysia in September. But the weather changes here by the minute, so who know? We risked it and drove to Vanilla Bay.

We were a rather large group: Pete and his partner Nayoung, Simon and his wife Jayoung, Vijiakumar Shunmugam from a local Facebook photo group,and Chrysmic Qmin and her boyfriend Yaan Sin Lee. Qmin acted as our model.

Pete, Simon and their respective partners and I arrived early to scout the right location and set up the gear. Sometimes the best moments are serendipitous. As we arrived I noticed two boys flying red balloons from fishing poles. The boys were silhouetted against a late afternoon sky.his was too good to pass up.

I quickly asked Nayoung to stand in as my model while I frantically tried to get the exposure of the sky correct. What I have learned, (wax on) is to first expose your scene for the background. Get it as dark or as light as you want it. Of course, all this is done in manual mode. On my X-Pro2 I needed a flash sync of 1/250 sec. so I simply adjusted the aperture to get the desired exposure.

A side note here: the biggest enemy in my photography and I would wager in yours is panic. I was quickly trying to get the exposure before these boys left or their balloons popped. I kept telling myself, “Slow down!”

 

Jinbei HD 600, Vanilla Bay Balancing ambient light and flash.

Eventually, it all comes together!

 

Jinbei HD 600, Vanilla Bay Balancing ambient light and flash.

Serendipity!

 

It's a good feeling to get it right in the camera.

It’s a good feeling to get it right in the camera.

Once I got the background exposed the way I wanted it I had to set up the flash unit and softbox. “It is still pretty bright out, do I use the grid or not?” Trial and error. I left it off for the time being.  I told myself, “Just set it up and take a few frames to balance the exposure on Nayong (wax off).” It was way too light. I needed to lower the power of this monster. Bam! I got it!

Above are the results of my effort. But it was only after a few frames, and the boys left. Of course not without a portrait of their own.

 

Chrysmic Qmin

Chrysmic Qmin

 

Chrysmic Qmin and her boyfriend. An impromptu couple shot between setups.

Chrysmic Qmin and her boyfriend. They asked for an impromptu couple shot between setups.

 

Later that night I became the VALS or Voice Activated Light Stand ;-).  In other words, I held the light all night. But it gave me a chance to observe Simon and his Pixelstick in action. I began watching how he maneuvered it. I had to try. I had an idea. Could I make angel wings? If I turned on the stick while standing behind her and moving the stick to form a wing then turning it off and repeating the same move on the other side it should make wings. In theory. The problem is, I can’t stand behind her when the flash is popped. So I have to run out and after the flash goes off start drawing my wings. Easier said than done on coral rock at night with a 5 foot Pixelstick  in your hand.

 

My first attempt at angel wings looked more like a peacock tail!

My first attempt at angel wings looked more like a peacock tail!

 

After thinking it through , this was a much better attempt. Not bad for two tries.

After thinking it through , this was a much better attempt. Not bad for two tries.

 

On my first try I just about broke my ankle (actually cut it on the coral) Oh well, the show must go on. The second try was better. Maybe the blood loss slowed me down. By this time of night, everyone was exhausted and frankly, it was time to go home.

 

 

A good night of inspiration and hard work using new tech. It was also a night of relearning old lessons: don’t panic, slow down, be purposeful.

Tomorrow I am off to some pretty fun places with my piece of tech, my Fujifilm X-T2. Be looking for new photos and some thoughts on this amazing little camera in the days to come.

Announcing the 2nd Location Portraiture & Lighting Masterclass in Varanasi, India

banner Masterclass

 

I am pleased to announce the second Location Portraiture and Lighting Masterclass in Varanasi, India. Well, ok it’s really the second time we’ve run the class, but the first time we’ve used this name. I am teaming up again with Adobe Photoshop Lightroom Guru and Wizard of Light Piet Van den Eynde. We will be releasing full details in the days to come. But let me assure you this will be an amazing class! Piet and I have been working all winter hammering out the details to make this class one that will be both highly educational, exciting, challenging and memorable and I think we have succeeded. We will be covering techniques and skills that are often skipped over on other workshops of this price or length. We will be covering the broad topics of: Continue reading

Podcast: A look at the Fujifilm X-Pro2 and more…

Piet, (foreground) and Rene with the camera and the SMDV Speedbox Professional 70cm and a Cactus RF60 in the alleyway of Varanasi, India.

Piet, (foreground) and Rene (camera to his face) and the SMDV Speedbox Professional 70cm and a Cactus RF60 in the alleyway of Varanasi, India.

Every year after our workshop in India, Piet Van den Eynde and I spend an hour or so talking about this years new Fujifilm gear. Because we do it in the field it sometimes becomes difficult to find a good location to record these discussions. It is India after all, things are noisy. One year we even made a tent out of blankets and recorded the show under it. Not to worry, this years was a breeze. Piet and I only had to deal with noisy bellhops and stray dogs,  all of this served as a background to an amazing hour of looking at the latest gear from Fujifilm.  For this episode we invited camera geek and photographer Rene Debar, host of the Fuji Xtras blog to help us with our yearly overview and to discuss the new Fujifilm X-Pro2. Continue reading

A Post Card From Kek Lok Si

Kek Lok Si Temple, Penang, Malaysia, Chinese New Year, Fireworks

Kek Lok Si Temple, Penang, Malaysia

Gong Xi Fa Chai from the Kek Lok Si Temple

 

As you know I have been living back in my home country, the U.S., for the past few months. To say it’s been hard is an understatement. If I hear another comment about this or that candidate or about how are Muslims are out to get, us I might just scream! As an attempt at sanity and to pick up my Malaysia My Second Home visa, Alou and I are here in Malaysia just in time for the Chinese New Year.

This is the kind of visa you physically have to pick up in-country. We’ve submitted the forms and now we hope to get approved before we leave to return to the U.S. on March 1st. In the meantime, Alou will travel to the Philippines to visit her family and I will travel to India to meet Piet Van den Eynde and a small group of friends for a photo workshop. We’ll be traveling from Delhi to Agra and then on to Varanasi. Everyone in the group are repeat workshop participants, as such, it is guaranteed to be a fun time.

I will be posting updates from both my time here in Penang, as well as my days traveling and shooting with the group in India, so watch this space.

Today I leave you with this fun shot from last night. The official start of Chinese New Year celebration began with the fireworks and the lighting of Penang’s Kek Lok Si Temple. You might recall a post I did way back in 2013 called Luck Happens: Kek Lok Si Temple. That year I was completely unprepared for the fireworks but luckily, happened to be in the right place at the right time. So this time I was ready. I might have been ready, but the fireworks were flash, bang…aaand it’s over. Truthfully, there were so little fireworks and they blew them off at such a slow rate it was underwhelming. To get this shot I had to composite two exposures into one frame. I am happy with the results and I offer it to you as my Chinese New Year’s wish for a prosperous 2016, the Year of the Monkey!

Fujifilm Podcast With Piet Van den Eynde 2015

Piet & other X-photographers on our past India workshop take a break to talk about what Fujifilm is serving up.

Piet & other X-photographers on our past India workshop take a chai break to talk about what Fujifilm is serving up.

 

Welcome Fujirumors Readers.

It’s always fun when I get together with Piet Van den Eynde and we compare notes on the latest Fujifilm gear. This podcast was not different. This episode is about our thoughts on the latest lenses and a few interesting accessories.


Continue reading